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Doctor Strange and Dormammu by Paul Smith
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Monster Monday: Tomb of Dracula by John Paul Leon
John Paul Leon dropped this little illustration on Twitter a while ago, I was immediately entranced by it!
Tomb of Dracula! Some elements of both Gene Colan and Tom Palmer in there, but the Victorian house in the background and the inking details are more Leon. Whoever got this commission is lucky indeed! Nuff Said.
Tomb of Dracula! Some elements of both Gene Colan and Tom Palmer in there, but the Victorian house in the background and the inking details are more Leon. Whoever got this commission is lucky indeed! Nuff Said.
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Mary Jane by Alex Saviuk
Here is a little commission I received in the mail yesterday: Mary Jane by Alex Saviuk!
I came by this thru an eBay auction. I was selling some statues, Alex happened to buy one and I recognized his name from many Marvel and DC comics. I suggested a trade and we worked out the details. I think his Mary Jane is quite glamorous and reminds me of the John Romita Sr era. Very happy to have it in my collection! Alex has a Facebook page where you can talk to him and see more of his work. Nuff Said.
I came by this thru an eBay auction. I was selling some statues, Alex happened to buy one and I recognized his name from many Marvel and DC comics. I suggested a trade and we worked out the details. I think his Mary Jane is quite glamorous and reminds me of the John Romita Sr era. Very happy to have it in my collection! Alex has a Facebook page where you can talk to him and see more of his work. Nuff Said.
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Amazing Adventures with Marvel Unlimited
I really do think the best way to enjoy reading comics is in the original form, the monthly comic book issue. To me that outweighs the fanciest hardcovers, even the Marvel Omnibus editions, for many reasons: easy to hold in your hands, easier to lift by far (some of them are over 5-6 pounds), and much easier to see double page spreads. However, that being said, at this point in my life continuing to buy hard copies of comics is almost impossible, running out of storage space in the garage. Even worse, lacking the morale to go out to the garage and find the comics I want to re-read! With my bookshelves full inside the house and the long boxes out of rack space outside the house, I promised my wife I would go digital and try to save some space and money, too.
I've been using Marvel Unlimited for the past few months and fallen in love with it. One reason I was drawn to this was certainly the price: $69 for an annual membership, that is less than $6 a month. Read 2 comics priced $3.99 and it is worth it, but I read quite a lot on it.
There is one big drawback to MU, which is the comics released on it are six months old. Star Wars #7 by Jason Aaron and Simone Bianchi came out in summer/fall 2015, but just appeared recently. New batches of comics appear on Mondays, but they are not only comics from 6 months ago, they could also be comics just getting digitized for the first time. For example, last week Marvel digitized the first half dozen issues of Captain Britain magazine from the 1980s, by Jamie Delano and Alan Davis. I had those and foolishly got rid of them, it was nice to re-read that again.
I am receiving my final box of real comics next week, probably the last I will have for a while, which will contain Secret Wars #9 plus the latest issues of Star Wars and Darth Vader. So it will take me a while to catch up on this six month delay thing for the Star Wars universe titles. But I truly don't mind as using the MU app has allowed me to discover a lot of things I had skipped over the past few years.
Silver Surfer by Dan Slott and Michale Allred. I totally let this one go, as it wasn't anything like a traditional Silver Surfer comic. After reading all the available issues on MU, I know that was a huge mistake, this is a delightful series, perhaps even more enhanced because I see the connections between this style of story and Doctor Who. It has a lot of humor / heart in addition to space adventure.
Wolverine and the X-Men by Jason Aaron, Chris Bachalo, Nick Bradshaw and others. I ignored this completely when it was published. I have no idea why, it's a terrific young adult type of series, with Wolverine trying to run Professor Xavier's school for mutants. Disaster follows him at every turn, it's more of an X-Men comedy of errors than a traditional hated-and-feared mutants book. I still have a lot to catch up on here.
Old Man Logan (Secret Wars mini-series) by Brian Bendis. It's like a travelogue thru Battleworld with great artwork.
Captain Britain and the Mighty Defenders (Secret Wars mini-series) by Al Ewing and Alan Davis. I think Al Ewing is a terrific writer who seems to be getting a real chance to take off now. I love this concept, with draws elements from both Ewing's Might Defenders and Paul Cornell's Captain Britain series. I wish this could even go past the Secret Wars.
Now this is just some of the more recent material on MU. What is truly addicting is the old material from the 1960s onward. I saw an issue of Tomb of Dracula highlighted and started reading that plus other back issues. Suddenly struck by a desire to read Fantastic Four #15 where the Mad Thinker's android first appeared? Desires instantly fulfilled. How about Jack Kirby's return to Captain America with the MadBomb story? Ditto. There's no shortage of stuff to read. A Marvel Zombie can spend hours upon hours here. Also, if you are a Star Wars Expanded Universe fan, all of the old Dark Horse Star Wars comics can be found on MU, that is quite a bit of material! More obscure older material is being added. Vampire Tales #1 featuring Morbius was there recently, and I think last week they added Classic X-Men issues (new stories made by Chris Claremont and John Bolton that accompanied the reprints).
I find reading the MU comics on a regular iPad to be about the right size and format. In fact I upgraded to a full size tablet just to read comics; my previous 7 inch tablet was way too small. I don't quite like reading on the computer, I want it to be on a tablet where I guess it simulates the feel of reading a magazine.
Downsides to Marvel Unlimited - besides the six month new issues gap, there are a few. One, the Apple MU app has some bad bugs. I have not been able to search for creators or titles at all; instead I have to use the browser-based MU to find specific things and add them to my library. I believe the people behind MU know this - I saw an update message that stated we had to delete the app and reinstall it to clear out our caches or something. Seems a bit crazy to me. Searching for titles in a specific year works better, so if you a great memory and know that the Falcon first appeared in 1969, you can search for all comics published in that year and you will find it. (Aside: it is fun to look at the titles published year by year in the 60s / 70s, astonishing really how few comics Marvel was allowed to release during the old distribution system).
The other bugs that bite me are navigational. You can select certain teams / characters to browse, but due to endless reboots it becomes frustrating. I looked at the Fantastic Four, hoping to find Jonathan Hickman's series, but instead it came up with the Heroes Reborn / Jim Lee issues from the late 1990s. What is equally frustrating is that these bugs have been in the app for a long time, and the engineers working on this are not very capable in fixing them. As someone who worked on the mobile app team at Evernote, I find this shocking. Putting these bugs to the side, I still find Marvel Unlimited to be an incredible value for $69 / year (and during the last New York ComicCon they had an even cheaper deal). The bugs in the Apple app can be worked around by logging into web based version and searching stuff.
Marvel Unlimited is just, well, marvelous, and the only negative thing really is that it can eat up hours upon hours of time as you explore comics both new and old. Nuff Said!
I've been using Marvel Unlimited for the past few months and fallen in love with it. One reason I was drawn to this was certainly the price: $69 for an annual membership, that is less than $6 a month. Read 2 comics priced $3.99 and it is worth it, but I read quite a lot on it.
There is one big drawback to MU, which is the comics released on it are six months old. Star Wars #7 by Jason Aaron and Simone Bianchi came out in summer/fall 2015, but just appeared recently. New batches of comics appear on Mondays, but they are not only comics from 6 months ago, they could also be comics just getting digitized for the first time. For example, last week Marvel digitized the first half dozen issues of Captain Britain magazine from the 1980s, by Jamie Delano and Alan Davis. I had those and foolishly got rid of them, it was nice to re-read that again.
I am receiving my final box of real comics next week, probably the last I will have for a while, which will contain Secret Wars #9 plus the latest issues of Star Wars and Darth Vader. So it will take me a while to catch up on this six month delay thing for the Star Wars universe titles. But I truly don't mind as using the MU app has allowed me to discover a lot of things I had skipped over the past few years.
Silver Surfer by Dan Slott and Michale Allred. I totally let this one go, as it wasn't anything like a traditional Silver Surfer comic. After reading all the available issues on MU, I know that was a huge mistake, this is a delightful series, perhaps even more enhanced because I see the connections between this style of story and Doctor Who. It has a lot of humor / heart in addition to space adventure.
Wolverine and the X-Men by Jason Aaron, Chris Bachalo, Nick Bradshaw and others. I ignored this completely when it was published. I have no idea why, it's a terrific young adult type of series, with Wolverine trying to run Professor Xavier's school for mutants. Disaster follows him at every turn, it's more of an X-Men comedy of errors than a traditional hated-and-feared mutants book. I still have a lot to catch up on here.
Old Man Logan (Secret Wars mini-series) by Brian Bendis. It's like a travelogue thru Battleworld with great artwork.
Captain Britain and the Mighty Defenders (Secret Wars mini-series) by Al Ewing and Alan Davis. I think Al Ewing is a terrific writer who seems to be getting a real chance to take off now. I love this concept, with draws elements from both Ewing's Might Defenders and Paul Cornell's Captain Britain series. I wish this could even go past the Secret Wars.
Now this is just some of the more recent material on MU. What is truly addicting is the old material from the 1960s onward. I saw an issue of Tomb of Dracula highlighted and started reading that plus other back issues. Suddenly struck by a desire to read Fantastic Four #15 where the Mad Thinker's android first appeared? Desires instantly fulfilled. How about Jack Kirby's return to Captain America with the MadBomb story? Ditto. There's no shortage of stuff to read. A Marvel Zombie can spend hours upon hours here. Also, if you are a Star Wars Expanded Universe fan, all of the old Dark Horse Star Wars comics can be found on MU, that is quite a bit of material! More obscure older material is being added. Vampire Tales #1 featuring Morbius was there recently, and I think last week they added Classic X-Men issues (new stories made by Chris Claremont and John Bolton that accompanied the reprints).
I find reading the MU comics on a regular iPad to be about the right size and format. In fact I upgraded to a full size tablet just to read comics; my previous 7 inch tablet was way too small. I don't quite like reading on the computer, I want it to be on a tablet where I guess it simulates the feel of reading a magazine.
Downsides to Marvel Unlimited - besides the six month new issues gap, there are a few. One, the Apple MU app has some bad bugs. I have not been able to search for creators or titles at all; instead I have to use the browser-based MU to find specific things and add them to my library. I believe the people behind MU know this - I saw an update message that stated we had to delete the app and reinstall it to clear out our caches or something. Seems a bit crazy to me. Searching for titles in a specific year works better, so if you a great memory and know that the Falcon first appeared in 1969, you can search for all comics published in that year and you will find it. (Aside: it is fun to look at the titles published year by year in the 60s / 70s, astonishing really how few comics Marvel was allowed to release during the old distribution system).
The other bugs that bite me are navigational. You can select certain teams / characters to browse, but due to endless reboots it becomes frustrating. I looked at the Fantastic Four, hoping to find Jonathan Hickman's series, but instead it came up with the Heroes Reborn / Jim Lee issues from the late 1990s. What is equally frustrating is that these bugs have been in the app for a long time, and the engineers working on this are not very capable in fixing them. As someone who worked on the mobile app team at Evernote, I find this shocking. Putting these bugs to the side, I still find Marvel Unlimited to be an incredible value for $69 / year (and during the last New York ComicCon they had an even cheaper deal). The bugs in the Apple app can be worked around by logging into web based version and searching stuff.
Marvel Unlimited is just, well, marvelous, and the only negative thing really is that it can eat up hours upon hours of time as you explore comics both new and old. Nuff Said!
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Monster Monday: Man-Thing by John Gallagher
Man-Thing in glorious full color...
...by a bloke named John Gallagher, who you can find on DeviantArt (thanks for the tip from Carlos Pacheco)! Nuff Said.
...by a bloke named John Gallagher, who you can find on DeviantArt (thanks for the tip from Carlos Pacheco)! Nuff Said.
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Marvel Super Bowl 50 trailers: Captain America Civil War, X-Men Apocalypse, Deadpool, Ant-Man vs Hulk (Coke)
Four trailers for Marvel Comics movies during Super Bowl 50. What a world we live in! And perhaps a harbinger of the comics-cinema glut coming to us over the next two years.
Captain America: Civil War. Startling to see the Vision and Black Panther on Iron Man's side. I thought Tony's little glove thing was cool.
X-Men Apocalypse. We see Apocalypse become super-tall and squeezing the stuffing out of Jennifer Lawrence, plus a really good action shot of Psylocke.
Deadpool: nothing really new but funny as hell. I can't believe Blind Al is in this movie.
Ant-Man steals a Coke from the Hulk: My personal favorite commercial from yesterday. The more I think about that Ant-Man film, the more I like it, so fun and light. I can't wait to see him in Civil War and in the sequel to his own film. Nuff Said!
Captain America: Civil War. Startling to see the Vision and Black Panther on Iron Man's side. I thought Tony's little glove thing was cool.
X-Men Apocalypse. We see Apocalypse become super-tall and squeezing the stuffing out of Jennifer Lawrence, plus a really good action shot of Psylocke.
Deadpool: nothing really new but funny as hell. I can't believe Blind Al is in this movie.
Ant-Man steals a Coke from the Hulk: My personal favorite commercial from yesterday. The more I think about that Ant-Man film, the more I like it, so fun and light. I can't wait to see him in Civil War and in the sequel to his own film. Nuff Said!
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Howard the Duck Omnibus
The Omnibus edition of Howard the Duck's 1970s comic run has been around in two different editions. I think the first was published around 2008. After this went out of print, the Guardians of the Galaxy movie with Howard's appearance in the post credits spurred a new printing. I resisted all of this until Rich Johnston reported that Marvel was clearing out many Omnibus' and letting them go out of print. I snapped it up for less than $50, not sure if I would keep it for selling later or reading. But yesterday during Dewey's 24-Hour Readathon I decided to unwrap it and read it!
It's kind of joy to read, a real trip down memory lane. Steve Gerber wrote a nice introduction back in 2008 for the first printing, where he describes Howard's publishing history, even talking briefly about the lawsuit. He seemed to be very proud of his creation and was glad it was reprinted in the Omnibus.
The very first Howard appearance in the the 2-part Fear / Man-Thing #1 story are included, and while I love Man-Thing, the artwork seems sketchy blown up to the Omnibus size.
But the first three stories by Frank Brunner, from Giant Size Man-Thing #4-5 and Howard the Duck #1, are jaw droppingly gorgeous. His artwork translates well to these oversized pages, and I always loved the light hearted nature of these first Howard tales.
If you were around and collecting comics back then, you will remember the speculator frenzy of Howard the Duck #1. I got a copy off the newsstand but others were unable to get it, prices went up sky high. Some people said this was a rigged game by people getting bundles of comics at the distributors before they went on sale. It's nice to have this historic issue reprinted here and again, it looks fantastic. Many first issues of new series featured an appearance by Spider-Man to draw reader interest, and that happened here - it's a funny story, despite the fact part of the plot is driven by Howard wanting to commit suicide.
The later issues with Gene Colan's artwork are, in some cases, a bit of a letdown. The stories themselves are funny, no problem there, especially whenever the Kidney Lady or Dr Bong show up. My personal favorite is the issue where Howard meets Daimon Hellstrom and accidentally becomes the Duck of Satan. The problem I have with the artwork is that Colan's artwork doesn't look as great in this oversized format as his Tomb of Dracula work. The difference is the inking / coloring; ToD had the great Tom Palmer - that artwork stands the test of time and resizing. Not the Howard stuff, it looks a bit sketchy. It's a minor quibble and probably other collectors won't have the same feeling as I do.
Another letdown is the lack of letter page columns reprinted! The Fantastic Four Omnibus' had them, not sure why they are not included here. Stan Lee wrote a letter about how much he liked the Quack Fu story in HTD #3.
What is included is plenty of supplemental material about Howard the Duck's 1976 Presidential Campaign, including the ads for campaign buttons, which I always thought must have gone directly to Steve Gerber's home address? Berni Wrightson drew the image for the campaign button and this special lithograph in 1976.
There is also an interview between Gerber and Colan about their work on Howard. And all the remaining issues of HTD after Gerber left, which are quite frankly terrible, but none of the black and white Howard the Duck magazine.
For a fan of Steve Gerber and Howard the Duck, it's a great addition to your bookshelf. Nuff Said!
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Iron Fist 1970s John Byrne pin-up!
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Sgt Fury and his Howling Commandos 96 cover by Gil Kane
I recently came across this cover I had never seen before - probably because I never collected that many war comics - Sgt Fury and his Howling Commandos 96, March 1972 (probably hit the newsstands 3 months before in December 1971).
This is a smashing cover illustration by Gil Kane and John Severin! The overhead view perspective on the three figures as gunshots rain down on them - as Dum Dum Dugan tries to carry an injured Nick Fury - wow. John Severin, a veteran of many war comics, inks Kane here.
However - Severin wasn't the first choice to ink this cover! The editors originally gave Kane's pencils to Ralph Reese to ink. This version was printed as a pin-up in the next issue. You can see that Reese's inks are superb as well, but they make the figures covered in shadows. It really increased the horror factor. I can only assume the editors didn't want this effect. Interesting that someone objected to it so strenuously that they had another inker do it before the publication deadline. Nuff Said!
This is a smashing cover illustration by Gil Kane and John Severin! The overhead view perspective on the three figures as gunshots rain down on them - as Dum Dum Dugan tries to carry an injured Nick Fury - wow. John Severin, a veteran of many war comics, inks Kane here.
However - Severin wasn't the first choice to ink this cover! The editors originally gave Kane's pencils to Ralph Reese to ink. This version was printed as a pin-up in the next issue. You can see that Reese's inks are superb as well, but they make the figures covered in shadows. It really increased the horror factor. I can only assume the editors didn't want this effect. Interesting that someone objected to it so strenuously that they had another inker do it before the publication deadline. Nuff Said!
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Giant-Size Kid Colt!
I thought by this point in my life, I had seen every Giant-Size title that Marvel had published in the 1970s. Well my mind was blown away by a title I never knew existed: Giant-Size Kid Colt!
Can you imagine? 50 cents for double sized Western action greatness, although in the form of a reprint! The cover to issue #1 was by Larry Lieber and Vinnie Colletta. I see the Colletta inks definitely but I might have been tempted to say it was a Kirby cover. To pump up the adrenaline, Rawhide Kid was the guest star.
Gil Kane drew this glorious cover to issue #2 featuring an Alamo-like last stand by the Western heroes. No inker listed, so did Kane ink himself? Looks like it! Kane had a great affinity for Western covers and I have featured a few in the past.
The third and final issue was another Kane cover showing yet another team-up between Kid Colt and Night Rider. You would almost think this was a team-up title, like Giant-Size Spider-Man which always had a special guest star every issue. Fun stuff! Nuff Said.
Can you imagine? 50 cents for double sized Western action greatness, although in the form of a reprint! The cover to issue #1 was by Larry Lieber and Vinnie Colletta. I see the Colletta inks definitely but I might have been tempted to say it was a Kirby cover. To pump up the adrenaline, Rawhide Kid was the guest star.
Gil Kane drew this glorious cover to issue #2 featuring an Alamo-like last stand by the Western heroes. No inker listed, so did Kane ink himself? Looks like it! Kane had a great affinity for Western covers and I have featured a few in the past.
The third and final issue was another Kane cover showing yet another team-up between Kid Colt and Night Rider. You would almost think this was a team-up title, like Giant-Size Spider-Man which always had a special guest star every issue. Fun stuff! Nuff Said.
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Merry Marvel Marching Society by Marie Severin
Here's a rarely seen gem that I found on a Facebook page, a Merry Marvel Marching society double page spread by Marie Severin!
![Merry Marvel Marching UK]()
This was published in a UK comic and the original poster was able to digitally reattach them together. Probably mid to late 1960s when the MMM was still going? The Thing on drums, I like that, and Nick Fury on the saxophone. Not sure about Subby. Nuff Said!

This was published in a UK comic and the original poster was able to digitally reattach them together. Probably mid to late 1960s when the MMM was still going? The Thing on drums, I like that, and Nick Fury on the saxophone. Not sure about Subby. Nuff Said!
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Doctor Strange Movie Blacklight Poster
The director of Doctor Strange, Scott Derrickson, posted this image on his Twitter account...
A blacklight poster for Doctor Strange, the movie! Takes you back doesn't it? There were a series of blacklight posters for Doctor Strange in the early 70s, take a look here to see those. I wouldn't mind buying one of these, apparently they are not for sale - only 100 were made and presumably given out to cast / crew. Nuff Said!
A blacklight poster for Doctor Strange, the movie! Takes you back doesn't it? There were a series of blacklight posters for Doctor Strange in the early 70s, take a look here to see those. I wouldn't mind buying one of these, apparently they are not for sale - only 100 were made and presumably given out to cast / crew. Nuff Said!
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Alpha Flight poster by John Byrne with original art
If you were a John Byrne fanatic back in the early 80s, you may have picked up this Alpha Flight poster...
Just what you always wanted: a giant Puck hanging in your nerd room! Kind of funny, right? Vindicator, way cooler, flying over Puck's head. You would think that guy would have been front and center.
Through the miracles of Facebook groups, I saw the original art to this poster the other day...
Vindicator was added on top of the original image as an afterthought! Weird huh? Well maybe not so weird. At the time Byrne did this poster, Alpha Flight #12 had already been published where (SPOILERS for 1984) Vindicator died at the very end of the story. I recall the poster coming out around the same time or shortly after. So possibly in Byrne's mind, Vindicator was no longer part of the team and not in the poster. But someone made him put the character back and was added on top of the original image.
Nuff Said!
Just what you always wanted: a giant Puck hanging in your nerd room! Kind of funny, right? Vindicator, way cooler, flying over Puck's head. You would think that guy would have been front and center.
Through the miracles of Facebook groups, I saw the original art to this poster the other day...
Vindicator was added on top of the original image as an afterthought! Weird huh? Well maybe not so weird. At the time Byrne did this poster, Alpha Flight #12 had already been published where (SPOILERS for 1984) Vindicator died at the very end of the story. I recall the poster coming out around the same time or shortly after. So possibly in Byrne's mind, Vindicator was no longer part of the team and not in the poster. But someone made him put the character back and was added on top of the original image.
Nuff Said!
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Strange Saturday: When Frank Miller almost drew a Dr Strange series
In 1980, fans got very excited seeing this Marvel ad for a new creative team on the way...
Roger Stern and Frank Miller on Doctor Strange! At that time Stern was one of my favorite writers, he was doing great entertaining work on various titles. He seemed to understand Marvel characters. And Miller had been doing Daredevil, really good work there although he may not have taken over as writer yet - certainly this was before he introduced Elektra.
Here is the original artwork to this Marvel ad. Alas it was not to be! Miller got too busy with other commitments to take on this series. Marshall Rogers joined Roger Stern on Doctor Strange, and they did one of the greatest 6 issue arcs in the history of that title.
Frank Miller had whetted our appetite for his approach to Doctor Strange with his work on Amazing Spider-Man Annual 14. This annual featured Spidey teaming up with Doc to fight the "Bend Sinister" (which sounded at first like a strange sexual position) a bad guy infused with mystical powers from Dormammu with a little help from Doctor Doom.
This annual was one of the best Spidey /Doc stories from the 1980s - I highly recommend it.
Some time later, Miller also did a commission for a fan with Doc and Clea. Pretty sweet! By the Hoary Hosts of Hoggoth, what might have been! Nuff said.
Roger Stern and Frank Miller on Doctor Strange! At that time Stern was one of my favorite writers, he was doing great entertaining work on various titles. He seemed to understand Marvel characters. And Miller had been doing Daredevil, really good work there although he may not have taken over as writer yet - certainly this was before he introduced Elektra.
Here is the original artwork to this Marvel ad. Alas it was not to be! Miller got too busy with other commitments to take on this series. Marshall Rogers joined Roger Stern on Doctor Strange, and they did one of the greatest 6 issue arcs in the history of that title.
Frank Miller had whetted our appetite for his approach to Doctor Strange with his work on Amazing Spider-Man Annual 14. This annual featured Spidey teaming up with Doc to fight the "Bend Sinister" (which sounded at first like a strange sexual position) a bad guy infused with mystical powers from Dormammu with a little help from Doctor Doom.
This annual was one of the best Spidey /Doc stories from the 1980s - I highly recommend it.
Some time later, Miller also did a commission for a fan with Doc and Clea. Pretty sweet! By the Hoary Hosts of Hoggoth, what might have been! Nuff said.
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Strange Saturday: Tomb of Dracula 44 cover art
I was doing some research on original cover art on Heritage Auctions comics.ha.com tonight and ran across this classic cover for Tomb of Dracula 44, which featured a certain Sorcerer Supreme doing battle against the Lord of the Vampires...
This classic cover sold for $26,290 sold for last August! Can you believe it? I can, since the hype for the Dr. Strange movie must have driven up demand for this one. Gene Colan and Tom Palmer on the art, the line work is quite impressive in black and white! In color it seems like a hippie dream come true...
The cover reads Because You Demanded It! And it seemed like a no brainer, because the artistic team of Colan/Palmer drew both series. Can you imagine anything at all like this today? Two artistic titans banging out nearly 40 pages a month for two series. Sheesh! These days you're lucky to get a team doing 6-8 issues a year!
![Doctor Strange 14]()
I always enjoyed this particular two parter, where (SPOILERS for decades ago) each character thought they had killed the other by the end of each issue. They don't make 'em like this any more, true believer!
Nuff Said.
This classic cover sold for $26,290 sold for last August! Can you believe it? I can, since the hype for the Dr. Strange movie must have driven up demand for this one. Gene Colan and Tom Palmer on the art, the line work is quite impressive in black and white! In color it seems like a hippie dream come true...
The cover reads Because You Demanded It! And it seemed like a no brainer, because the artistic team of Colan/Palmer drew both series. Can you imagine anything at all like this today? Two artistic titans banging out nearly 40 pages a month for two series. Sheesh! These days you're lucky to get a team doing 6-8 issues a year!

I always enjoyed this particular two parter, where (SPOILERS for decades ago) each character thought they had killed the other by the end of each issue. They don't make 'em like this any more, true believer!
Nuff Said.
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Silver Surfer by John Buscema
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Avenger Annual 7 original cover art by Jim Starlin
I recently re-read the Warlock collection on Comixology - the penultimate chapter to this saga is Avengers Annual 7 from August 1977! The cover was an amazing work by Jim Starlin...
![Avengers Annual 7 Starlin cover]()
Showing the Avengers + Captain Marvel (another Starlin character) in combat with the thralls of Thanos. Warlock stands on a hill in the distance, silently observing. The head of Thanos in the background is eerie, due to the overlay process used on the cover.
![Avengers Annual 7 original art]()
For the orignal art, here are the main figures. Looks very cool even in black and white. On the horizon there is no Thanos or night time sky...
![Avengers Annual 7 overlay]()
Here is the original art plus the overlay for the blue plate plus extra logo. It looks like Starlin used a razor blade to make the white streaks continue on from the hill Warlock is standing on.
I will be doing a review of this Warlock collection soon. Stay tuned! Nuff Said.

Showing the Avengers + Captain Marvel (another Starlin character) in combat with the thralls of Thanos. Warlock stands on a hill in the distance, silently observing. The head of Thanos in the background is eerie, due to the overlay process used on the cover.

For the orignal art, here are the main figures. Looks very cool even in black and white. On the horizon there is no Thanos or night time sky...

Here is the original art plus the overlay for the blue plate plus extra logo. It looks like Starlin used a razor blade to make the white streaks continue on from the hill Warlock is standing on.
I will be doing a review of this Warlock collection soon. Stay tuned! Nuff Said.
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Review: Captain Marvel by Jim Starlin, The Complete Collection
A couple of weeks ago, Marvel had a fire sale on many of their Kindle / Comixology digital collections. I grabbed many of them (too many) and one of the first that I re-read was Captain Marvel by Jim Starlin: The Complete Collection

Naturally reading the original comics is great, but let's face it, unless you've got them perfectly preserved they degrade over the years / decades. Reading these digital versions is a blast because the colors and details really pop. Take the cover to Captain Marvel 25 as an example - I doubt the copy I have in my longbox looks that good. I bought the original off a newsstand in 1973, knowing nothing about the character other than the Avengers held him in high regard. I did know a lot more about Rick Jones, having read about him in reprints where he was Captain America's sidekick.
The collection doesn't start with Captain Marvel. It begins with Iron Man 55, where Drax and Thanos enter the Marvel Universe for the first time. Starlin's artwork is a bit rough in this story and the first few CM issues. He doesn't write the dialogue for these stories, but he's clearly the plotter and designer of all these new characters. Starlin introduces so many great new characters in these stories, I suspect in hindsight it's incredulous that he developed them for Marvel. His debut issue of CM involves Mar-Vell facing a horde of enemies, which is really a test conducted by Super-Skrull to report back to Thanos on the Kree warrior's abilities.

Starlin's artwork is a bit rough in these first few issues. But he's improving with each one of them. I loved issue 26, where The Thing fights Captain Marvel. The fight is due to mistaken identity - Mar-Vell believes The Thing is really Super Skrull; The Thing can't explain the situation because his vocal cords have been silenced. Flimsier excuses have been used before! It's the beginning of a beautiful partnership between Starlin and The Thing.
Jim Starlin really ratchets up to the next level with Captain Marvel 31. This is the issue where he writes the full story for the first time, and he has Al Milgrom inking him for the first time. The cover is iconic and was used on slurpee cups and other stuff. Mar-Vell transformed from a Kree warrior to a the Protector of the Universe by becoming "Cosmically Aware". This was a very 1970s concept, like if you meditated enough or became one with nature you could improve things more than with just sheer violence. But it seems Starlin had a plan for this character from the start. In the early stories, Mar-Vell is a very capable warrior but a bit reckless and prone to mistakes. A very strange, almost Ditko-esque being named Eon helps Mar-Vell walk through his past mistakes and to transform into something new. And into someone with blond hair instead of silver, because the latter made him look too old!

Starlin's original cover to Captain Marvel 29. John Romita clearly re-touched the face and neck, which probably did not please Starlin.
What were the immediate changes in Mar-Vell due to Cosmic Awareness? He became aware of himself and his surroundings. He began to see bigger patterns. He still fought like hell, in the next issue there was a terrific battle with the Controller. But at least Mar-vell tried to talk the villain out of it before kicking his ass.

Thanos gets a hold of a Marvel object that is so powerful, you wonder why anyone would lose track of it: the Cosmic Cube. After years of villains fumbling around with this object, Thanos is the one to finally make full use of it. He becomes a God, or an Insane God as the next issue teaser states. By this point, Iron Man, the Destroyer, the Titans and others have teamed up with Captain Marvel to fight Thanos and the odds were insurmountable.

By the time the final issue of this story came to a conclusion, the tension was ratcheted higher and higher. Thanos was learning to use the full extent of his godhood, although you wonder why he doesn't just evaporate Captain Marvel into atoms. This could be explained by a discovery made later in the Infinity War: Thanos has some defect of character that does not want himself to succeed. Perhaps that is too easy of excuse, but I bought into it!

Thanos does decide to terminate Mar-Vell's life right upon his discovery about the Cosmic Cube having some residual link to Thanos' godhood. In this issue, Starlin makes the next leap forward in storytelling and artwork. It's such a mind-bending battle with Thanos in the proceeding pages, as he warps reality around Mar-Vell and Drax. Then he decides to pull the plug on Mar-Vell, by aging him quickly, but not before he can fossilize and destroy the Cosmic Cube.

After this epic was done, for the readers at the time, minds were shattered. Wow. This guy Thanos had taken things to a extent no Marvel Comics villain had ever accomplished before! I was going to be a Starlin / Captain Marvel fan for life. What was going to come next? Could we look forward to years of Starlin on Captain Marvel? This was beyond compare. Unfortunately, the next issue arrived, Captain Marvel 34. The plot/artwork is by Starlin, dialogue by Steve Englehart, and it sets a new status quo for Mar-Vell's post-Thanos adventures. He battles a new villain, Nitro, a guy who explodes and reforms himself back together afterward. At the very end of their battle, Mar-Vell gets exposed to some lethal poison gas (powerful enough to destroy a whole city), collapses, and is seemingly dead. I remember thinking, well, Starlin will solve this problem next issue.
Wrong! We got the shock of our lives, when Captain Marvel 35 (not included in this digital collection, I scanned the above from my collection) arrived with artwork by Alfredo Alcala! A nice artist on the black and white mags, but not on CM! The letters page explained that the Nitro issue was Starlin's last one. He was leaving to work on another somewhat cosmic character: Warlock! But this would set up a pattern for Starlin. He didn't mind killing off characters when he was done with them. Captain Marvel survived the poison gas and went on to many more adventures courtesy of Englehart / Milgrom and other creators - but there were longer term effects.

This Captain Marvel collection goes from issue 34 right into The Death of Captain Marvel. This was published originally in 1982; Starlin's last issue of CM appeared in 1974. This was a big event, for not only was Marvel getting into the Original Graphic Novel game, they were killing off a character, and there was no doubt that it would happen. Starlin was able to use the events of his final issue to deliver the death blow to Mar-Vell: cancer. And this story is a real tear jerker. There are no big fights, although there is an appearance by Thanos, post his final battle with Warlock from Marvel Two-In-One Annual 2. It is really a sad tale of what happens when anyone gets cancer and they can't win. They try to fight it, they accept what is going to happen and start to say goodbye to loved ones. I believe Starlin's father had died earlier of cancer, which gives a lot of authenticity to it. I cried when I read it originally; I cried reading it again.
I loved Captain Marvel by Jim Starlin: The Complete Collection! It made me feel like a kid again. Nuff Said.
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Thing Tuesdays: Stranded in the Desert
Update: I originally published this on January 13, 2009, but since I just reviewed Captain Marvel by Jim Starlin: The Complete Collection
yesterday, I thought I would republish it!
Think you are having a bad day? If you’re Benjamin J. Grimm and you’ve just saved the world (in a team-up with the Hulk), what thanks do you get? None! Not even a ride out of the desert when Marvel Feature #12 begins…
![marvel feature 12 splash page]()
Since it is a Marvel comic, you just know the Thing won’t be left alone for long. Sure enough, Iron Man shows up and they fight a couple of Thanos’ goons, the Blood Brothers. At the end of the tale…
…The Thing is stuck in the desert again! What a blamed revoltin’ development! Nuff said.
Think you are having a bad day? If you’re Benjamin J. Grimm and you’ve just saved the world (in a team-up with the Hulk), what thanks do you get? None! Not even a ride out of the desert when Marvel Feature #12 begins…

Since it is a Marvel comic, you just know the Thing won’t be left alone for long. Sure enough, Iron Man shows up and they fight a couple of Thanos’ goons, the Blood Brothers. At the end of the tale…
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Marvel Super Heroes 47 Hulk cover / original art by Jim Starlin
Since I am on a Starlin rediscovery kick lately, here's a 1974 reprint cover I am crazy about: Marvel Super Heroes 47, featuring The Hulk!
I love Starlin's Hulk! He captures the fierce monstrosity of the character and the transformation here from Banner into the Hulk is classic. It captures the original intent to make this monster related to Dr Jekyll and Mr Hyde.
Here is the original art to this cover, which looks nifty in black and white.
At this point in time, Marvel Super Heroes was reprinting Tales to Astonish. The Bronze Age Babies twitter account recently asked which we preferred on reprints - the original cover from the comic being reprinted, or a new cover? That is easy for me, hands down I liked the new covers because they gave artists like Starlin a shot to draw these classic characters.
Nuff Said!
I love Starlin's Hulk! He captures the fierce monstrosity of the character and the transformation here from Banner into the Hulk is classic. It captures the original intent to make this monster related to Dr Jekyll and Mr Hyde.
Here is the original art to this cover, which looks nifty in black and white.
At this point in time, Marvel Super Heroes was reprinting Tales to Astonish. The Bronze Age Babies twitter account recently asked which we preferred on reprints - the original cover from the comic being reprinted, or a new cover? That is easy for me, hands down I liked the new covers because they gave artists like Starlin a shot to draw these classic characters.
Nuff Said!
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